Source and Colour
Source and colour are two important aspects of lighting to
remember when filming. When speaking about source of lighting three point lighting
is often referred to. Developed by classical Hollywood film makers, three point
lighting consists of using three different lights to illuminate an object or
person. The three lights are the key light, which focuses on the subject, the
fill light, which fills the entire scene and helps diffuse shadows, and the
back light, this focuses on the background and also diffuses shadows.
Our group decided that to learn about the different lighting
techniques it would be easier for us to try them so we knew what we were
talking about.
We first experimented with three point lighting; the images
below show the different parts of the screen being lit up using the different
lights. The key light illuminated the person and created large shadows behind
her, the fill light subtly illuminated the entire screen which was a complete contrast
to the background light which lit the background and ignored the person
creating a silhouette.
Key Light Fill Light
Background Light
Colour Gels and White Balance
Colour
Gels can be used to change the colour of the scene, there are CTOs and CTBs.
These consist of colour gels being used in order to change the lighting, for
example blue colour gels work by making the room seem warmer, whereas orange
colour gels are used to make the room seem cooler.
The white
balance works by making the colours appear more realistic. It keeps scenes from
looking unnatural.
We carried
out a short experiment to test the different colour gels and to see what effect
they would have. We put the camera in a corridor, which was already full of natural light, and set up
the white balance on it, we then held colour gels in front on the lights and
saw the effect they had on the screen.
We carried
out to main experiments: White
Balance to Half Orange and White Balance to Half Blue.
Orange Gel Blue Gel
By using coloured gels to white balance provides the DOP with the opportunity to warm up or cool down a scene for special effect. As seen from the orange gel used, the images can go a steely blue which is often used to create 'day for night' scenes.






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